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https://w.atwiki.jp/physical-examination/pages/15.html
~腹部の身体診察法~ Inspection The Skin Note scars, striae, dilated veins, rashes and lesions, the umbilicus, the contour of the abdomen, peristalsis, and pulsations. Auscultation Bowel sounds Increased = diarrhea,early intestinal obstruction Decreased, absent = adynamic ileus,peritonitis. Bruits Listen for bruits over the aorta, the iliac arteries, and the femoral arteries. Venous Hum soft humming noise with both systolic and diastolic components. It indicates increased collateral circulation between portal and systemic venous systems, as in hepatic cirrhosis. Friction Rubs rare. They are grating sounds with respiratory variation. They indicate inflammation of the peritoneal surface of an organ, as in liver cancer, chlamydial or gonococcal perihepatitis, recent liver biopsy, or splenic infarct. Percussion Palpation Percussion of the liver Measure the vertical span of liver dullness in the right midclavicular line. Palpation of the liver Place your left hand behind the patient, parallel to and supporting the right 11th and 12th ribs and adjacent soft tissues below. Percussion of the spleen Percuss the left lower anterior chest wall between lung resonance above and the costal margin, an area termed Traube s space. As you percuss along the routes suggested by the arrows in the following figures, note the lateral extent of tympany. Assessing percussion tenderness of the kidneys Pressure from your fingertips may be enough to elicit tenderness, but if not, use fist percussion. Place the ball of one hand in the costovertebral angle and strike it with the ulnar surface of your fist. Assessing the aorta Press firmly deep in the upper abdomen, slightly to the left of the midline, and identify the aortic pulsations, Assess the width of the aorta by pressing deeply in the upper abdomen with one hand on each side of the aorta. Important sign and findings!! Murphy’s sign @Acute Cholecystitis Hook your left thumb or the fingers of your right hand under the costal margin at the point where the lateral border of the rectus muscle intersects with the costal margin. Ask the patient to take a deep breath. Watch the patient’s breathing and note the degree of tenderness. Ascites 1.Ascitic fluid seeks the lowest point in the abdomen, producing bulging flanks that are dull to percussion. The umbilicus may protrude. Turn the patient onto one side to detect the shift in position of the fluid level (shifting dullness). 2.Test for a fluid wave Ask the patient or an assistant to press the edges of both hands firmly down the midline of the abdomen. This pressure helps to stop the transmission of a wave through fat. While you tap one flank sharply with your fingertips, feel on the opposite flank for an impulse transmitted through the fluid. Unfortunately, this sign is often negative until ascites is obvious, and it is sometimes positive in people without ascites. ☆Appendicitis 1.Rebound tenderness Rebound tenderness suggests peritoneal inflammation, if appendicitis. If other signs are typically positive, you can save the patient unnecessary pain by omitting this test. 2.Rovsing’s sign and referred rebound tenderness Press deeply and evenly in the left lower quadrant. Then quickly withdraw your fingers. Pain in the right lower quadrant during left-sided pressure suggests appendicitis (a positive Rovsing’s sign). So does right lower quadrant pain on quick withdrawal (referred rebound tenderness). 3.Psoas sign Place your hand just above the patient’s right knee and ask the patient to raise that thigh against your hand. Alternatively, ask the patient to turn onto the left side. Then extend the patient’s right leg at the hip. Flexion of the leg at the hip makes the psoas muscle contract; extension stretches it. Increased abdominal pain on either maneuver constitutes a positive psoas sign, suggesting irritation of the psoas muscle by an inflamed 4.Obturator sign Flex the patient’s right thigh at the hip, with the knee bent, and rotate the leg internally at the hip. This maneuver stretches the internal obturator muscle. Right hypogastric pain constitutes a positive obturator sign, suggesting irritation of the obturator muscle by an inflamed appendix. References Bates Guide to Physical Examination History Taking, 10th Edition. http //wonghongweng.blogspot.com/2008/03/gallstones.html http //intmed.exblog.jp/5914420/
https://w.atwiki.jp/htserver/pages/21.html
(最終更新 2015/8/20 23 00) ※手動更新の為、直ちに更新されません。 ※Global-BANのリストを確認したい場合はHT-Server MCBansをご確認下さい。6月以降はGlobal-BANではこのリストを更新しません。 ※2015/01/24以降のBANのみ記載しています。 BAN日時 MinecraftID 理由 Banned By Local/Global/IP/全権限停止 2015/01/24 matti1226 griefing/stealing mru593 Global 2015/01/25 Kaname0509 griefing mituwo12 Global 2015/01/28 akynkun griefing mituwo12 Global 2015/01/31 Joshtokyo Griefing mru593 Global 2015/01/31 yuuriku griefing/stealing mru593 Global 2015/02/02 akagamienzi Griefing(修復により証拠消滅) mru593 Local 2015/02/04 gin_gin griefing mituwo12 Global 2015/02/04 sirataki3420 griefing mituwo12 Global 2015/02/04 maik1017 griefing mituwo12 Global 2015/02/04 amarok0224 griefing mituwo12 Global 2015/02/06 sakamoto1226 griefing mituwo12 Global 2015/02/26 adeqa1 griefing mituwo12 Global 2015/02/26 riku2023 griefing mituwo12 Global 2015/02/26 marton125 HT-Server rules violation HT-Server IP/Local 2015/02/26 X9REMIX griefing HT-Server Global 2015/03/31 shun2015 HT-Server rules violation Miyahara0819 Local 2015/03/31 I_am_a_Bucket HT-Server rules violation mru593 Local 2015/04/01 NEO2015 griefing/stealing mru593 Global 2015/04/04 azamo griefing/stealing mru593 Global 2015/04/04 zum_roten_igel griefing/stealing mru593 Global 2015/04/07 orehinata griefing/stealing mru593 Global 2015/04/26 MAKINTAMA Griefing mru593 Global 2015/04/26 despisaro Griefing mru593 Global 2015/04/29 senkou_01 HT-Server rules violation HT-Server 全権限停止 2015/05/12 seviracas griefing miya819 Local 2015/05/17 11512lego HT-Server rules violation HT-Server Local 2015/05/17 yuuki_kawa Griefing mineko115 Global 2015/05/17 right_1207 Griefing mineko115 Global 2015/05/31 YudukiTakeoka griefing/stealing miya819 Local 2015/05/31 ieryo0922 griefing/stealing miya819 Local 2015/08/20 taichin1223 HT-Server rules violation、及びシステム盗用等の疑い HT-Server Local、IP 2016/01/22 Tatsuki222 HT-Server rules violation sora137 Local GBAN基準 破壊箇所が3箇所以上 LBAN基準 破壊箇所が1箇所以上2箇所以下 無断PvP 嫌がらせ、誹謗中傷 その他、利用規約違反
https://w.atwiki.jp/keisks/pages/400.html
http //stats.stackexchange.com/a/164875 In the neural network terminology one epoch = one forward pass and one backward pass of all the training examples batch size = the number of training examples in one forward/backward pass. The higher the batch size, the more memory space you ll need. number of iterations = number of passes, each pass using [batch size] number of examples. To be clear, one pass = one forward pass + one backward pass (we do not count the forward pass and backward pass as two different passes). Example if you have 1000 training examples, and your batch size is 500, then it will take 2 iterations to complete 1 epoch.
https://w.atwiki.jp/vocaloidenglishlyric/pages/274.html
【Tags Gakupo I Kaito Len VanaN'Ice haku tI natsuP】 Original Music Title IMITATION BLACK Music Lyrics written, Voice edited by natsuP Music arranged by natsuP and haku Singers Kaito, 神威がくぽ (Kamui Gakupo / Camui Gackpo / Gackpoid), 鏡音レン (Kagamine Len) Click here for the Japanese Lyrics English Lyrics (translated by hokorichan): Twisted ordinary life, Forbidden love, An insincere heart Painted over in black An incomplete love, The jet-black world I've always wanted to say to you, There is just one thing to say The impulse that cannot be suppressed If it is to be broken To love and be loved, to the point of going mad. This sweet and burning kiss is imitation. Senses numbing, consciousness fading away The overflowing emotions and reality are painted over in black The sinking moon overlapping with the clouds, As if to hide the shadows. Can we not return anymore? Let the two of us just disappear together Someday I can be with you With that belief, I let go of my hand If it is a love that doesn't suit me Then it might as well be broken Tightly and strongly I want to be embraced The warmth of the overlapping bodies are imitation. If the sun were to shine, I would be bothered You will vanish from my sight. Please teach me the answer? Common sense and morality crushed and destroyed If there are to punishments, I should be the only one punished What you said at the end I embrace those words I'm thinking of you everyday. The feel of your shoulder in my embrace Before that melts away into nothing I will go and meet you. Embraced in a quivering and wavering fantasy, What I said you were imitation. On the cool skin the unfading bite marks Everything and anything in my memory are sinking into the darkness Falling away To love and be loved, to the point of madness. This sweet and burning kiss is imitation. Senses numbing, consciousness fading away The overflowing emotions and reality Paint it all over in black English Lyrics (translated by blacksaingrain): Distorted everyday life The forbidden love The disguised mind The imperfect love that was blacked out The jet-black world Though it's the only word I've wanted to tell you for a long time If the inextinguishable impulse gets broken We give love and receive love The sweet hot kiss as if to make me go crazy is IMITATION A feeling of paralysis Losing consciousness The overflowing feelings and the truth Let them be blacked out The setting moon went behind the clouds As if to hide the shadow Is it impossible to go back by now? Let the two of us disappear as it goes on Though I believed I could get together with you someday and let go of your hand If it's love that makes one not like oneself Let it be broken down I want you to hold me tightly and hardly The warmth of the body I snuggled is IMITATION Since the sun shines and disturbs me I lose the sight of yours Please teach me the answer? I'll break down common sense and morality And I'll be the one to receive punishment Holding the word you said at the end I recall you to my mind any day The touch of the shoulders I held tight Before it melts fades and disappears I'll go and see you I got lulled into the lambent illusion The word I told you was IMITATION The permanent scar of the cold skin I'll make all the memories sink into black and I'll be fallen We give love and receive love The sweet hot kiss as if to make me go crazy is IMITATION A feeling of paralysis Losing consciousness The overflowing feelings and the truth Let them be blacked out Romaji lyrics (transliterated by hokorichan): yugan da nichijou yurusare nai ai itsuwari no kokoro kuroku nuritsubusareta fukanzenna ai shikkoku no sekai zutto kimi ni iitakatta tatta hitotsu no kotoba na noni osae kire nai shoudou ga kowarete shimau no nara aishi aisare kurui souna hodo ni amaku atsui kuchizuke wa IMITATION mahi suru kankaku tooku naru ishiki afureru omoi to shinjitsu kuro de nuritsubushite shizun de iku tsuki ga kumo to kasanatte marude kage wo kakusu you ni mou modore nai no? kono mama futari de kiete shimaou itsuka kimi to musubareru to shinjite te wo hanashita noni jibun rashisa no nai ai nara kowashite shimaeba ii kitsuku tsuyoku dakishimete hoshikute kasanaru karada no nukumori wa IMITATION taiyou ga terashi boku wo komaraseru kara kimi ga mie naku naru Please teach me the answer? joushiki mo moraru mo buchikowashi batsu wo ukeru no wa boku dake de ii saigo ni kimi ga itta kotoba wo daite itsu no hi mo kimi wo omou yo dakishimeta kata no kanshoku tokete kiete nakunaru mae ni kimi ni ai ni iku yo yurari yurameku gensou ni idakare kimi ni itta kotoba wa IMITATION tsumetai hada ni kie nai kizuato kioku no subete nani mo ka mo kuro ni shizumete ochite yuku aishi aisare kurui souna hodo ni amaku atsui kuchizuke wa IMITATION mahi suru kankaku tooku naru ishiki afureru omoi to shinjitsu kuro de nuritsubushite [natsuP, natsu-P, haku]
https://w.atwiki.jp/ichinoseki_mtg/pages/42.html
4月10日(土)に開催されたIchinoseki Portal Cup 4thは、参加者10人によるスイスドロー4回戦で行われました。優勝したのは、黒単色手札破壊デッキを使用した高橋一成さんでした。おめでとうございました。 大会風景 優勝者の高橋一成さん TOP3デッキリスト 1位 高橋一成 メガハンデス 19《沼/Swamp(M10)》 1《陰謀団の貴重品室/Cabal Coffers(TOR)》 4《闇の腹心/Dark Confidant(RAV)》 4《マラキールの門番/Gatekeeper of Malakir(ZEN)》 2《叫び大口/Shriekmaw(LRW)》 4《復讐の亜神/Demigod of Revenge(SHM)》 1《墓忍び/Tombstalker(FUT)》 4《暗黒の儀式/Dark Ritual(USG)》 4《思考囲い/Thoughtseize(LRW)》 4《強迫/Duress(M10)》 4《陰謀団式療法/Cabal Therapy(JUD)》 1《根絶/Extirpate(PLC)》 4《Hymn to Tourach(FE)》 4《燻し/Smother(WWK)》 サイドボード 4《減衰のマトリックス/Damping Matrix(MRD)》 4《虚空の力線/Leyline of the Void(GPT)》 2《トーモッドの墓所/Tormod's Crypt(TSB)》 3《仕組まれた疫病/Engineered Plague(ULG)》 2《滅び/Damnation(PLC)》 2位 川内岳 真心 17《平地/Plains(ZEN)》 3《不毛の大地/Wasteland(TMP)》 4《ルーンの母/Mother of Runes(ULG)》 3《運命の大立者/Figure of Destiny(EVE)》 4《聖なる後光の騎士/Knight of the Holy Nimbus(TSP)》 4《銀騎士/Silver Knight(SCG)》 4《セラの報復者/Serra Avenger(TSP)》 3《薄青幕の侍/Samurai of the Pale Curtain(CHK)》 4《流刑への道/Path to Exile(CON)》 4《清浄の名誉/Honor of the Pure(M10)》 4《幽体の行列/Spectral Procession(SHM)》 4《霊気の薬瓶/AEther Vial(DST)》 2《梅澤の十手/Umezawa's Jitte(BOK)》 サイドボード 4《エーテル宣誓会の法学者/Ethersworn Canonist(ALA)》 4《抑制の場/Suppression Field(RAV)》 3《大祖始の遺産/Relic of Progenitus(ALA)》 2《戦争の報い、禍汰奇/Kataki, War's Wage(SOK)》 2《忘却の輪/Oblivion Ring(ALA)》 3位 佐藤健也 Goblin Good Game 12《山/Mountain(ZEN)》 4《リシャーダの港/Rishadan Port(MMQ)》 4《不毛の大地/Wasteland(TMP)》 4《ゴブリンの従僕/Goblin Lackey(USG)》 4《ゴブリンの群衆追い/Goblin Piledriver(ONS)》 4《ゴブリンの女看守/Goblin Matron(USG)》 4《宝石の手の焼却者/Gempalm Incinerator(LGN)》 4《ゴブリンの戦長/Goblin Warchief(SCG)》 4《ゴブリンの首謀者/Goblin Ringleader(APC)》 3《包囲攻撃の司令官/Siege-Gang Commander(10E)》 1《鏡割りのキキジキ/Kiki-Jiki, Mirror Breaker(CHK)》 1《稲妻造り士/Lightning Crafter(MOR)》 1《ゴブリンの酋長/Goblin Chieftain(M10)》 1《ゴブリンの名手/Goblin Sharpshooter(ONS)》 1《棘鞭使い/Stingscourger(PLC)》 1《残忍なレッドキャップ/Murderous Redcap(SHM)》 1《ゴブリンの王/Goblin King(10E)》 1《スカークの探鉱者/Skirk Prospector(ONS)》 1《モグの狂信者/Mogg Fanatic(10E)》 4《霊気の薬瓶/AEther Vial(DST)》 サイドボード 4《Pyrokinesis(AL)》 3《紅蓮破/Pyroblast(5ED)》 3《破壊放題/Shattering Spree(GPT)》 3《大祖始の遺産/Relic of Progenitus(ALA)》 2《Anarchy(IA)》 Swiss Standings Rank Name Points OMW% 1 Takahasi, Kazunari 12 47.9167 2 Kawauchi, Gaku 9 68.75 3 Satou, Ken'ya 9 52.0833 4 Tasai, Makoto 6 58.3333 5 Sakuma, Toshimitsu 6 58.3333 6 Sakuma, Hideaki 6 52.0833 7 Sato, Genta 6 47.9167 8 Takahashi, Tooru 3 58.3333 9 Chiba, Tomoaki 3 41.6667 10 Yonekura, Kenji 0 64.5833
https://w.atwiki.jp/vocaloidenglishlyric/pages/1210.html
【Tags Kaito Len Rin mayuko tL M】 Original Music title 迷子猫奴 English music title Lost Cat Romaji music title Mayoigo Nekoya Music Lyrics written, Voice edited by mayuko Music arranged by mayuko Singer(s) Kaito, 鏡音リン (Kagamine Rin), 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay): One morning when I wake up, my cat has gone missing. Now where could it have gone? I have not the faintest idea. Well then, it certainly would be troublesome and painstaking, but I guess I really should go look for my cat. "Oh lost cat, where are you going?" At 12 o clock, in my damp kitchen, I peek into my rice bin, but there is not a grain of rice. "te-chi-ta-te-to, te-to-ya, tsu-te-to-ta-chi" What s making that sound is merely something with a hairless tail. At 2 o clock, in my moldy lavatory, I peek into my sink, but there is not a drop of water. "sa-se-so-su-se, shi-se-so, se-so-shi-su-sa" What s leaping is merely something with feeble fins. Oh lost cat with blue eyes, you must be very hungry and starving by now. Oh lost cat with blue eyes, you must be annoyed with your slightly soiled legs by now. Although I ve been searching and calling, I can t find it. (Although you ve been searching and calling, you can t find it?) Although I ve been waiting and waiting, it won t show up. (Although you ve been waiting and waiting, it s not showing up?) "Oh lost cat, where are you right now?" At 4 o clock, in my stylish Buddha altar room, I peek into my brazier, but there is not a speck of ash. "ka-ko-ki-ka-ke, ku-ko-ka, ke-ko-ka-ku-ki" What s crying is merely something easily startled into running. At 8 o clock, in my run-down bedroom, I peek under my bedsheets, but there is not a hint of warmth. "na-no-ni-ne-na, nu-no-ne, no-ni-ne-no-na" What s jumping out is merely something with pretty body joints. Oh lost cat with black fur, without fire, you must be freezing by now. Oh lost cat with black fur, you must be missing my soft ragged clothes by now. Although I ve been searching and calling, I can t find it. (Although you ve been searching and calling, you can t find it?) Although I ve been waiting and waiting, it won t show up. (Although you ve been waiting and waiting, it s not showing up?) "Oh lost cat, where are you right now?" At 6 o clock, a cat is meowing. Even demons would have gotten tired of this game at this point. Searching for my lost cat, I have traveled from one dream to the next. Do you not see me yearning for your return? (Oh cat, dear cat, where are you going?) One morning when I wake up, my cat has gone missing. Now where could it have gone? I have not the faintest idea. Well then, it certainly would be troublesome and painstaking, but I guess I really should go look for my cat. The only place I have yet to look is the well in my backyard. One morning when I wake up, my cat has gone missing. Now I m sure it must be loitering somewhere. Well then, it certainly would be troublesome and painstaking, but I guess I really should go bring it back. Romaji lyrics (transliterated by animeyay): aru asa mezamerya neko ga oran hate doko e itta ka kentou mo tsukanu satemo taigi de hone wa orou ga sagashi ni yuku to shiyou ja nai ka "mayoigo nekoya yo doko e yuku?" ichi no koku shiketa kuriya nite nozoku komebitsu shari wa naku "te-chi-ta-te-to, te-to-ya, tsu-te-to-ta-chi" naku wa oppo ni ke no naki nanika dake ni no koku kabita kawaya nite nozoku chouzuba mizu wa naku "sa-se-so-su-se, shi-se-so, se-so-shi-su-sa" tobu wa hatade nayamashiki nanika dake aoi hitomi no mayoigo nekoya hara ga hette wa yoppodo himojikarou ni aoi hitomi no mayoigo nekoya usuyogoreta shusoku wa itou darou ni sagasedo yobedo mitsukaranu (sagasedo yobedo mitsukaranu ka?) matedo kurasedo arawarenu (matedo kurasedo arawarenu ka?) "mayoigo nekoya yo ima izuko" san no koku shareta butsuma nite nozoku teaburi hai wa naku "ka-ko-ki-ka-ke, ku-ko-ka, ke-ko-ka-ku-ki" naku wa hashiru ni tayasuki nanika dake go no koku kuchita gabou nite nozoku shikifu ni netsu wa naku "na-no-ni-ne-na, nu-no-ne, no-ni-ne-no-na" tobu wa fushime utsukushiki nanika dake kuroi kenami no mayoigo nekoya hi o kubeneba jiki ni kogou darou ni kuroi kenami no mayoigo nekoya yawaki boro o koishiku omou darou ni sagasedo yobedo mitsukaranu (sagasedo yobedo mitsukaranu ka?) matedo kurasedo arawarenu (matedo kurasedo arawarenu ka?) "mayoigo nekoya yo ima izuko" yon no koku nyaa neko ga naku sorosoro oni mo aita darou mayoigo sagashi yume watari nozomu sugata wa mieta kae (nekoya nekoya izuko e yuku) aru asa mezamerya neko ga oran hate doko e itta ka kentou mo tsukanu satemo taigi de hone wa orou ga sagashi ni yuku to shiyou ja nai ka nokoru wa saigo uraniwa no ido aru asa mezamerya neko ga oran hate doko de abura o utte oru yaro satemo taigi de hone wa orou ga mukae ni yuku to shiyou ja nai ka []
https://w.atwiki.jp/michealfeng/pages/24.html
Paper bag producers maximize the enhancements in know-how to produce and make different collections of paper bags from the industry. This provides companies extra options to design and style their luggage according for their company s ideals. From the enterprise identify and brand on the design and style, artwork and also other design technical specs, companies will find excellent luggage that meet up with their wanted appear. The paper market has produced each bao bao issey miyake and every form of bag you could think about - recycled, glossy and laminated, handmade, purely natural brown and bleached white, synthetic, flipside, and a great deal far more! They are just the type of paper employed. There are actually however the assortments in colour, shapes and sizes. Paper bag producers can assist you market your company with the usage of these baggage. They can be your store s provider or searching bags, gift luggage or loot baggage. With bags of all types, particularly when printed with the brand, are effective marketing products. This method is probably the easiest, most hassle-free promoting software you may employ. The levels of competition while in the paper luggage market effects not just in more and greater alternatives than ever before before, but will also more aggressive prices. Paper solutions are generally more affordable. They actually have several of the ideal promotions within the marketplace. Most brands provide savings for bulk orders, for returning and/or long-time shoppers. Paper bag companies staff up with organizations to fulfill organization prerequisites in high quality, provider, profits and publicity. Advertising worries push these manufacturers to increase previously mentioned and stick out from among the their competition to generally be the top at their craft. It can be regular to seek out brands tailoring specific courses to accommodate clients needs. The retail businesses for example, capitalize on retail baggage, as these are vital of their merchandising where targeted traffic, profits and profits are increased. Sure, these baggage in all forms and uses can in fact do this to your company. Quite a few of such brands are big firms with various factories and suppliers worldwide. They include things like printing, support, and distribution to associates to higher deal with the wants of enterprise clients. Speedy and affordable shipping replica dior of paper bags are about the best in the checklist like a reflection of productive provider. In executing so, brands assurance their associates and purchasers a dependable offer with the needed luggage that you choose to need. Just after all, how can a retailer have these luggage with out a dependable paper bag producer to deliver for them? In maintaining with all the environmental awareness campaigns globally, paper bag producers truly feel correct at your home with paper as their main raw material. Manufacturing is also much more eco-friendly, notably with recycled luggage. An increasing number of producers and suppliers capitalize on recycled items as their advertising place, which also adds to favorable feed-back from your communities they serve. Since they get more assist with the general public, so to perform earnings get a optimistic convert. Organizations may also be welcoming recycled paper bags on their own group as being a a lot more conscientious phase to environmental advocacy. We see shops like guide outlets, cafes, restaurants and boutiques employing not simply extravagant paper carrier bags but recycled kinds also. There are such a lot of paper bag producers to settle on from. They all have a typical aim anyway. That is, to make paper luggage that can assistance the assorted enterprise sectors regardless of whether it is really in foodstuff, retail, technologies or arts. These bags are valuable, eco-friendly and much more economical choices for shoppers. The market is plainly escalating. Be in the forefront of the trend.
https://w.atwiki.jp/kakis/pages/2093.html
essekon /// / 大人のおもちゃ、アダルトグッズ esse\kon \ 16 seren klel \
https://w.atwiki.jp/reginn666/pages/119.html
CheckIO Mineの問題和訳 問題ページのうち, 問題の前提となる小話は訳してません. また各問題ページ下部にある「Precondition」は「前提条件」のため訳しません(数値の範囲などだけなので). Skew-symmetric matrix Flatten a list Call to Home Pattern Recognition Cipher map Buildings visibility Painting Wall Palindromic Palindrome Magic Square Mathematically Lucky Tickets Periodic Table Skew-symmetric matrix Discover if a square matrix is skew-symmetric. In mathematics, particularly in linear algebra, a skew-symmetric matrix(also known as an antisymmetric or antimetric) is a square matrix A whose transpose is also its negative. This means it satisfies the equation A = −A^T. If the entry in the i-th row and j-th column is aij, i.e. A = (aij) then the symmetric condition becomes aij = −aji. You should determine whether the specified square matrix is skew-symmetric or not. You can find more details on Skew-symmetric matrices on its Wikipedia page. Input A square matrix as a list of lists with integers. Output If the matrix is skew-symmetric or not as a boolean. How it is used Skew-symmetric matrices can be useful for the cross product, an operation in mathematics used in the calculation of movement of forces. Matrixes are basis for the linear algebra and vector graphics. 訳 数学のとりわけ線形代数において, 歪対称行列(反対称行列とも知られる)とは正方行列Aが自身の転置の-1倍と等しいものを言う. これはA = -A^Tという方程式を意味する. i行目とj列目の要素a_ijは, 条件から, a_ij = -a_jiとなる. あなたは正方行列が歪対称行列かどうかを判定する. 歪対称行列について詳しくはWikipediaを参照のこと. 入力 リストのリストで表現された正方行列, 要素は整数 出力 歪対称行列かどうか, boolean 備考 歪対称行列はクロス積(外積), 力の移動の計算などの操作でよく使われる. 行列は線形代数とベクタグラフィックスの基礎である. Flatten a list Make out Nicola's nested list and tweet how you did it. Nicola likes to categorize all sorts of things. He categorized a series of numbers and as the result of his efforts, a simple sequence of numbers became a deeply-nested list. Sophia and Stephan don't really understand his organization and need to figure out what it all means. They need your help to understand Nikolas crazy list. There is a list which contains integers or other nested lists which may contain yet more lists and integers which then… you get the idea. You should put all of the integer values into one flat list. The order should be as it was in the original list with string representation from left to right. We need to hide this program from Nikola by keeping it small and easy to hide. Because of this, your code should be shorter than 140 characters (with whitespaces). Input data A nested list with integers. Output data The one-dimensional list with integers. How it is used This concept is useful for parsing and analyzing files with complex structures and the task challenges your creativity in writing short code. 訳 ニコラはあらゆる物事を分類するのが好きだ. 彼はいくつかのシリーズを分類した結果, 単純なシーケンスは深くネストしたリストになった. ソフィアとステファンは彼の構成を理解できず, どのような意図があるかもわからなかった. 彼らはニコラのクレイジーなリストを理解するためにあなたの助けを必要としている. 整数または複数のネストしたリストがありあなたはアイデアを得ている. あなたは全ての整数を1つの平たんなリストにしなければならない. 順序は元のリストの左から右にたどったものとする. 私たちはこの問題をニコラから隠す必要がある. このため, あなたのコードは140文字以内(ホワイトスペースを含む)にしなければならない. 入力 ネストしたリスト 出力 1次元のリスト 備考 このコンセプトは複雑な構造のファイルを解析, 分析するのに使われたる. またこのタスクはあなたの創造性に対する挑戦である. Call to Home So-phie phone home. 1Nicola believes that Sophia calls to Home too much and her phone bill is much too expensive. He took the bills for Sophia's calls from the last few days and wants to calculate how much it costs. The bill is represented as an array with information about the calls. Help Nicola to calculate the cost for each of Sophia calls. Each call is represented as a string with date, time and duration of the call in seconds in the follow format "YYYY-MM-DD hh mm ss duration" The date and time in this information are the start of the call. Space-Time Communications Co. has several rules on how to calculate the cost of calls First 100 (one hundred) minutes in one day are priced at 1 coin per minute; After 100 minutes in one day, each minute costs 2 coins per minute; All calls are rounded up to the nearest minute. For example 59 sec ≈ 1 min, 61 sec ≈ 2 min; Calls count on the day when they began. For example if a call was started 2014-01-01 23 59 59, then it counted to 2014-01-01; For example 2014-01-01 01 12 13 181 2014-01-02 20 11 10 600 2014-01-03 01 12 13 6009 2014-01-03 12 13 55 200 First day -- 181s≈4m -- 4 coins; Second day -- 600s=10m -- 10 coins; Third day -- 6009s≈101m + 200s≈4m -- 100 + 5 * 2 = 110 coins; Total -- 124 coins. Input Information about calls as a tuple of strings. Output The total cost as an integer. How it is used This mission will teach you how to parse and analyse various types data. Sometimes you don't need the full data and should single out only important fragments. 訳 ニコラはソフィアが何度も電話してくるため, 彼女の電話代が高額だと確信しています. 彼はここ数日のソフィアの電話代を取り, そのコストを計算したい. 請求書は電話の情報を伴った配列で表現される. ニコラがソフィアの電話代のそれぞれのコストを計算するのを手助けする. それぞれの電話は日, 時間, 通話時間(秒)を含んだ文字列で表現され, 以下のフォーマットに従う. "YYYY-MM-DD hh mm ss 通話時間" 日付と時間は電話の開始時の情報である. スペースタイムコミュニケーションズ会社は通話のコスト計算にいくつかのルールを決めている. 1日のうち最初の100分は1分あたり1コイン それ以降の100分は, 1分あたり2コイン 全ての通話時間は最も近い分に切り上げる. たとえば59秒は1分で, 61秒は2分だ. 通話は開始した日から数える. たとえばもし通話が2014-01-01 23 59 59から始まったなら, それは2014-01-01として数える. たとえば 2014-01-01 01 12 13 181 2014-01-02 20 11 10 600 2014-01-03 01 12 13 6009 2014-01-03 12 13 55 200 初日 181秒≈4分 4コイン 2日目 600秒=10分 10コイン 3日目 6009秒≈101分 + 200秒≈4分 100 + 5 * 2 = 100コイン 合計 124コイン 入力 文字列のタプルとして通話に関する情報. 出力 合計コストを整数で. 備考 このミッションはあなたに様々な種類のデータの解析と分析について教える. 時々あなたは完全なデータを必要とせずに, 情報の重要な一部だけを選び出すだろう. Pattern Recognition Teach the robot’s drones to recognize basic patterns and flag them. To explore new islands and areas Sophia uses automated drones. But she gets tired looking at the monitors all the time. Sophia wants to learn the drones to recognize some basic patterns and mark them for review. The drones have a simple optical monochromatic image capturing system. With it an image can be represented as a binary matrix. You should write a program to search a binary matrix (a pattern) within another binary matrix (an image). The recognition process consists of scanning the image matrix row by row (horizontal scanning) and when a pattern is located on the image, the program must mark this pattern. To mark a located pattern change 1 to 3 and 0 to 2. The result will be the image matrix with the located patterns marked. The patterns in the image matrix are not crossed, because you should immediately mark the pattern. Input Two arguments. A pattern as a list of lists and an image as a list of lists. Output The marked image as a matrix as a list of list. How it is used As we can see in the first paragraph, this task is simple monochromatic pattern recognition. You can take a monochrome image and find various subimages inside such as the alien spaceships in the Galaxy Game ;-) 訳 新しい島を探索するためにソフィアは自動操縦ドローンを使う. しかし彼女は毎時間モニターを見るのに飽きた. ソフィアはレビューのためにドローンに単純な認識とマーク付けをさせることを学びたい. ドローンはモノクロ写真を撮影するシステムを持っている. このとき画像は二進数の行列として表現される. あなたはバイナリ行列(画像)の中から, バイナリ行列(パターン)を検索するプログラムを書く. 認識処理は画像を走査(水平スキャン)によって構成され, パターンが画像の中で見つかると, プログラムはこのパターンをマークする. パターンが一致する箇所のバイナリを0なら2に, 1なら3にすることでマーキングする. 結果はパターンがマーキングされた画像になる. 画像内のパターンは交わらない. 入力 2つの引数. パターンとしてのリストのリスト, 画像としてのリストのリスト. 出力 リストのリストとしてマークされた画像。 備考 最初のパラグラフで見たように, このタスクは単純なモノクロ画像認識である. あなたはモノクロ画像を得, 銀河のゲーム内のエイリアンの宇宙船のように内部の様々なサブイメージを見つけることができる. Cipher map Write a cipher program to encode a secret password. Help Sofia write a decrypter for the passwords that Nikola will encrypt through the cipher map. A cipher grille is a 4×4 square of paper with four windows cut out. Placing the grille on a paper sheet of the same size, the encoder writes down the first four symbols of his password inside the windows (see fig. below). After that, the encoder turns the grille 90 degrees clockwise. The symbols written earlier become hidden under the grille and clean paper appears inside the windows. The encoder then writes down the next four symbols of the password in the windows and turns the grille 90 degrees again. Then, they write down the following four symbols and turns the grille once more. Lastly, they write down the final four symbols of the password. Without the same cipher grille, it is difficult to discern the password from the resulting square comprised of 16 symbols. Thus, the encoder can be confident that no hooligan will easily gain access to the locked door. Write a module that enables the robots to easily recall their passwords through codes when they return home. The cipher grille and the ciphered password are represented as an array (tuple) of strings. Input A cipher grille and a ciphered password as a tuples of strings. Output The password as a string. How it is used Here you can learn how to work with 2D arrays. You also get to learn about the ancient Grille Cipher, a technique of encoding messages which has been used for half a millenium. The earliest known description of the grille cipher comes from the Italian mathematician, Girolamo Cardano in 1550. 訳 ソフィアがパスワードを解読するを手助けをしよう. そのパスワードはニコラが暗号化マップで暗号化したものだ. 暗号化格子は4×4の平方の紙で, 4つの窓が切り取られている. 同じサイズの紙に格子を置くと, エンコーダは窓の中にある彼のパスワードの最初の4つのシンボルを書きとめる(下記図参照). その後, エンコーダの格子を時計回りに90度回転させる. 前のシンボルは格子の下に隠れ, 窓の中には別のシンボルが現れる. エンコーダは窓の中にあるパスワードの次の4つのシンボルを書きとめ, 再び格子を90度回転させる. そして, 更に4つのシンボルを書きとめ, 更に回転させる. 最後に, パスワードの4つのシンボルを書きとめる. 同じ暗号化格子がなければ, 16のシンボルから構成される正方形のパスワードを識別することは困難である. したがって, エンコーダがよそ者がロックされたドアを容易に開けられないことを確信している. ロボットが家に帰ってくるときに簡単なコードを通してパスワードを思い出すのを可能にするためのモジュールを書こう. 暗号化格子と暗号化されたパスワードは文字列の配列(タプル)として表現される. 入力 暗号化格子と暗号化されたパスワードを文字列のタプルとして. 出力 パスワードを文字列で. 備考 ここであなたは2次元配列の操作方法を学ぶことができる. 古代の格子暗号, 500年前に使用された符号化メッセージの技術について学ぶことができる. 最も古く知られる格子暗号の記述はイタリアの数学者で, 1550年のジェロラモ・カルダーノだ. Buildings visibility Determinate how many of the buildings are visible from the area just south of where we set up base. The robots have requested your help setting up a new base on the island. They need you to define the visibility of a building from a specific direction, in this case, south. To help you out, you have been given a map of the buildings in the complex. The map is an orthogonal projection of each of the buildings onto a horizontal plane. It is oriented on a rectangular coordinate system so that the positive x-axis points east and the positive y-axis points north. No two buildings in the map overlap or touch. Each of the buildings have perfectly rectangular sides and are aligned from north to south and from east to west. The map is a list of buildings. Every building is presented as the list with coordinate of south-west corner, coordinate of north-east corner and height - [Xsw, Ysw, Xne, Yne, height]. We need to determinate how many of the buildings are visible from the area just south of the base (excluding the angle of vision, just using projection.) See the illustration below. Input A list of lists with buildings coordinates and heights. The coordinates are integers. The heights are integers or floats. Output The quantity of visible buildings, an integer. How it is used Image recognition systems. 訳 島で新しい基地を作るために, ロボットはあなたの助けを必要としている. ロボットは特定の方向から建物の視界を決めるためにあなたを必要とする. このケースでは南である. あなたを助けるために, あなたに複雑な建物のマップが与えられる. マップはそれぞれの建物の水平面への正投影である(俯瞰図). これは正を東とするx軸と正を北とするy軸の座標からなる. 2つの建物はマップの中で重ならない. それぞれの建物は完全な四角で, 北から南, 東から西に整列している. マップは建物のリストでもある. それぞれの建物は南西角の座標と北東角の座標と高さのリスト, [Xsw, Ysw, Xne, Yne, height]で表さられる. 私たちは基地の南からの視界に映る建物の数を数える必要がある(視野角などは除く, 平面だけを使う). 詳しくは下のイラストの通りだ. 入力 建物の座標と高さを含むリストの律祖. 座標は整数で, 高さは整数か浮動小数点. 出力 視認可能な建物の数, 整数. 備考 画像認識システムだ. Painting Wall How many times do you have to paint a wall? Nicola has built a simple robot for painting of the wall. The wall is marked at each meter and the robot has a list of painting operations. Each operation describes which part of wall it needs to paint as a range from place to place, inclusively. For example the operation [1, 5] means to paint the sections from 1 to 5 meters including sections 1 and 5. Operations are executed in the order they are placed in the list of operations. If the range of various operations are overlapped, then they must be counted once. Stephan has prepared a list of operations, but we need to check it before the robot executes its painting plan. You are given the number of meters on the walls which need painting, (the painted zones can be separated by non painted parts) and the list of operations prepared by Stephan, you should determine the number of operations from this list required to paint the designated length of the wall. If it's impossible to paint that length with the given operations, then return -1. Input Two arguments. The required length of the wall that should be painted, as integer. The second is a list of the operations that contains the range (inclusive) as a list of two integers. Output The minimum number of operations. If you cannot paint enough of the length with the given operations, return -1. Hint To handle the beginning-end of the list, you could try running a binary search. How it is used This skillset is often used in computer simulations. 訳 ニコラは壁を塗るために単純なロボットを組み立てた. 壁はメートルごとに区切られており, ロボットは塗装操作のリストを持っている. それぞれの操作は塗装を必要とする場所から場所への範囲として記述される. たとえば, [1, 5]という操作はセクション1と5を含む1から5mを塗装することを意味する. 操作はリストの順序に実行される. 様々な操作の範囲が重なっているときは, ただ1回だけカウントすべきである. ステファンは操作のリストを用意するが, 私たちはロボットは塗装計画を実行する前に, チェックする必要がある. あなたにはステファンが用意した操作のリストと塗装に必要な壁の長さ(塗装エリアは塗装されない箇所で区切られる)の数が与えられる. あなたは壁の長さが示された, 塗装が必要なリストの操作の数から決定する. 与えられた操作が実行不可能な長さの場合, -1を返す. 入力 2つの引数. 塗装するのに必要な壁の長さと, 2つの整数からなる塗装範囲を含んだ操作のリストのリスト. 出力 操作の最小階数. 不可能な場合は-1. ヒント リストの開始から終わりまでの操作をするために, あなたは二分探索に挑むことができる. 備考 このスキルセットはコンピュータシミュレーションでしばしば使われる. Palindromic Palindrome Can you write a palindromic program with a function that checks for palindromes? Write a palindromic program with a checkio(s) function that checks whether s (a string) is a palindrome. For this task, using "#" is forbidden. You can use other methods for the function's definition (for example a lambda). The test will try to run the function "checkio" from your code. The example of the palindromic code checkio=lambda x x#x x adbmal=oikcehc However, in your code, you can not use "#". Input A text as a string. Output Palindrome or not as a boolean. How it is used This task is a challenge in creativity and is designed to show you the hidden depths of programming languages. 訳 回文sかどうかを判定する回帰性のあるcheckio(s)関数を書こう. このタスクのために, '#'を使うことは禁じる. あなたは関数の定義のために他のメソッドを使うことができる(たとえばラムダ式など). テストはあなたのコードからcheckio関数を実行しようとする. 回帰性のあるコードの例をあげよう. checkio=lambda x x#x x adbmal=oikcehc ただしあなたのコードでは"#"は使用禁止だ. 入力 文字列としてテキスト 出力 回文かどうか, boolean 備考 このタスクはあなたの創造力への挑戦であり, プログラミング言語の隠された深層をあなたに見せるだろう. Magic Square Use your skills to finish an incomplete magic square. In mathematics a magic square is an arrangement of numbers (integers in our case) in a square grid, where the numbers in each row, each column and the numbers in the forward and backward main diagonals, all sum up to the same number. You have been given an incomplete magic square (with a size from 3 to 5). With your coding skills, you must finish the square. It must be a normal magic square and contain integers from 1 to n^2 without repeating. The square is presented as a list of lists with integers. Zero is used to mark an empty cell. You should return a completed magic square. The task may have multiple solutions. You can read more about the about Magic Squares on Wikipedia. Input A partially filled magic square as a list of lists with integers. Output The completed magic square as a list of lists with integers. How it is used This is a constraint satisfaction problem. It's used not only for solving puzzles, but also for planning and resource allocation in city planning, construction and just about everywhere else. 訳 数学の魔方陣とは, 正方形のグリッドに整数を配置するもので, ここで数字は行, 列, 並びに対角線の和が全て同じ値になるように配置しなければならない. あなたには不完全な3x3~5x5の魔方陣が与えられる. あなたのコーディングスキルを使えば, 魔方陣を完成させられるはずだ. 普通の魔方陣は重複なしに1からn^2までの整数を含む. 魔方陣は整数を含んだリストのリストとして表現される. ゼロは空のセルのマークとして使われる. あなたは完全な魔方陣を返す. このタスクは多重解を持つこともある. 魔方陣について詳しくはWikipediaにて. 入力 不完全な魔方陣, リストのリストとして表現される 出力 完全な魔法陣, リストのリストとして 備考 これは制約付き問題である. パズルを解くときだけでなく, 都市計画のリソース制限計画などでも使われる. Mathematically Lucky Tickets Determine whether a 6-digit number on a ticket is mathematically ‘lucky’ or not. The "Mathematically lucky tickets" concept is similar to the idea of the Russian "Lucky tickets". It refers to the old public transport tickets that had 6-digit numbers printed on them. You are given a ticket number and the combination of its digits can become a mathematical expression by following these rules. 1. The digits of the number can be split into groups of numbers. 2. You cannot change the order of groups or digits. 3. Each group is treated as a one integer number. (1 and 2 would become 12, etc.) 4. Operational signs (+, -, * and /) are placed between the groups. 5. Parenthesis are placed around subexpressions to eliminate any ambiguity in the evaluation order. For example * 238756 - (2 * (38 + ((7 + 5) * 6))) * 000859 - (0 + (00 + (8 + (5 + 9)))) * 561403 - (5 * (6 + (1 + (40 / 3)))) The ticket is considered mathematically lucky if no combination of its digits evaluates to 100. For example * 000000 is obviously lucky, no matter which combination you construct it always evaluates to zero, * 707409 and 561709 are also lucky because they cannot evaluate to 100 * 595347 is not lucky (5 + ((9 * 5) + (3 + 47))) = 100 * 593347 is not lucky (5 + ((9 / (3 / 34)) - 7)) = 100 * 271353 is not lucky (2 - (7 * (((1 / 3) - 5) * 3))) = 100 The combination has to evaluate to 100 exactly to be counted as unlucky. Fractions can occur in intermediate calculations (like in above examples for 593347 and 271353) but the result must be an integer. Task Given a 6-digit number of the ticket, the program should determine whether it is mathematically lucky or not. Input 6 digits as a string. Output Is it mathematically lucky or not as a boolean. How it is used This is a nice game to improve mind-calculation skills. If you have coder or math-geek friends, then you can give them this as a challenge. Who’s code will check digits faster than the others? After solving this task you will have the skills to cheat! ;-) "数学的ラッキーチケット"のコンセプトは, ロシアの"ラッキーチケット"のアイデアと似ている. それは古い公共交通のチケットで, チケットには6桁の数字が印刷されていた. あなたにはチケットの数字と, いくつかのルールに従ったそれぞれの桁を数式が与えられる. 1. 数字の桁は数字のグループとして分離することができる. 2. あなたは数字のグループの順序を変えることはできない. 3. それぞれのグループは1つの数字として扱かわれる(1と2からなるグループは12として扱う). 4. 演算記号(+, -, *, /)はグループの間におかれる. 5. 丸括弧は順序評価のあいまさをなくすために, 部分式の周りに置かれる. たとえば, * 238756 - (2 * (38 + ((7 + 5) * 6))) * 000859 - (0 + (00 + (8 + (5 + 9)))) * 561403 - (5 * (6 + (1 + (40 / 3)))) チケットの数字の桁の計算結果が100にならないものを, 数学的にラッキーとする. たとえば, * 000000 は明らかにラッキーだ, 0はどういう組み合わせでも0だ, * 707409 と 561709 は100になる組み合わせがないのでラッキーだ * 595347 はラッキーではない (5 + ((9 * 5) + (3 + 47))) = 100 * 593347 はラッキーではない (5 + ((9 / (3 / 34)) - 7)) = 100 * 271353 はラッキーではない (2 - (7 * (((1 / 3) - 5) * 3))) = 100 100と評価された組み合わせは確実にアンラッキーとしてカウントされる. 分数は計算の途中に発生する(593347や271353など)が, 結果は整数となる. タスク チケットの6桁の数字が与えられる, その数字が数学的ラッキーかどうかを判定するプログラムを作成せよ. 入力 6桁の数字を文字列として 出力 数学的ラッキーかどうかをbooleanで 備考 これは計算スキルと改良するよいゲームである. あなたにコーダーか, 数学オタクの友達がいるなら, 彼らに挑戦としてこの問題を教えよう. 誰よりも早くチェックできるコードを書くのは誰か? このタスクを解いたあとならあなたにはチートのためのスキルがある! ;-) Periodic Table Hacking the Periodic Table of Elements, because ‘why not’?
https://w.atwiki.jp/vocaloidenglishlyric/pages/691.html
【Tags Luka Yuzuhiko tA A】 Original Music title アモーレ English music title Amore Romaji music title Amoore Music Lyrics written, Voice edited by ゆずひこ (Yuzuhiko) Music arranged by ゆずひこ (Yuzuhiko) Singer(s) 巡音ルカ (Megurine Luka) "Amore" means "love" in Italian. Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson): My occupation? A playboy; I'm chasing ladies all year round, And I give them all equal love, both Anitas and Emilianas A night of love and an eternity's, why, they aren't even remotely alike If loving is everything, then let us bloom a bouquet of roses I kiss you on the back of your hand, whispering my love to you You are a true diamond in the rough, a flower blooming in the desert... Amore, amore, I love you so Carina, carina, my adorable kitten Were you lonely, you can say so long to it now I shall give you satisfaction, For I can distinguish the sweets and the bitters... I embrace all of my desires; that's just the kind of man I am Let me envelop you in my love, both Julias and Valentinas The beautiful dress you don, our elegant dance; Illuminated by the lovely full moon, we shall shine bright... Amore, amore, I love you so Carina, carina, my adorable kitten It's already come bedtime for the kids; Now it's time for adults to have their fun! I kiss you on the back of your hand, whispering my love to you You are a true diamond in the rough, a flower blooming in the desert... Amore, amore; now, I request your blood Carina, carina; no, wine will not do Amid indecent sounds, I shall feast; On everything, from your body to your soul... Amore, amore - my true colors are, indeed, Carina, carina - a vampire of the night And my preference is young maidens and their blood; But when speaking of love, I do love you... Your gaze of utter despair brings such a shiver to my spine, So with this enchanting pleasure, I shall perish with you... Romaji lyrics (transliterated by vgboy / vgperson): Boku no shokugyou wa asobinin nenjuu josei okkakete Byoudou ni aishite ageyou Aniita mo Emiriaana mo Ichiya no ai mo towa no ai mo katachi wa kankei nai deshou Aisuru koto ga subete nara bara no hanataba o sakasou Te no kou ni kuchidzuke o shite ai o sasayakou Kimi wa maru de kouya ni saku ichirin no hana no you da Amoore, amoore kimi o aishiteiru Kariina, Kariina aikurushii koneko-chan Sabishisa nante mou sayonara shiyou Boku ga kimi o mitashite ageru yo Sui mo amai mo kamiwakete kita no desu Yokubou no mama daite ite wa shosen sono teido no otoko sa Ai de tsutsunde agemashou Juria mo Varentiina mo Utsukushii doresu o matoi karei ni dansu o Utsukushii mangetsu ga bokura o terashite kagayaku no Amoore, amoore kimi o aishiteiru Kariina, Kariina aikurushii koneko-chan Kodomo wa mou oyasumi no jikan da yo Otona wa kore kara o-tanoshimi no jikan Te no kou ni kuchidzuke o shite ai o sasayakou Kimi wa maru de kouya ni saku ichirin no hana no you da Amoore, amoore kimi no chi o choudai Kariina, Kariina wain ja dame nano sa Hiwai na oto o tatete meshi agaru Kimi no mi mo kokoro made mo subete Amoore, amoore boku no shoutai wa Kariina, Kariina yoru ni ikiru vanpaia Koubutsu wa wakai josei to sono chi Aikotoba wa kimi o aishiteiru Urei o obita sono shisen zokuzoku to sesuji ni kuru Torokeru you na kairaku de kimi to hateyou